The Head and the Heart Extend Their Signs of Light Tour to Include a Stop at Benedum Center on March 1 – Tickets on Sale Friday at 10 AM!




Photo by: Gus Black

The Head and the Heart are excited to announce that after spending 9 weeks at #1 at Triple A (and still remain in the top 5), their single “All We Ever Knew” off of their latest album Signs of Light has reached #1 at Alternative this week.

In other exciting news, The Head and the Heart is hitting the road again this February with Whitney and Springtime Carnivore. The band, who have spent the past few months on a headline tour of the US, sold over 100,000 tickets on the run, selling out two nights at The Ryman in Nashville, Red Rocks in Denver, Boston’s Orpheum Theatre, two nights at NYC’s Terminal 5, two nights at Stubb’s in Austin, and a three night stand at The Paramount Theatre in Seattle, among other sold out shows. The band will continue touring in support of the release of their newest album Signs of Light. All dates can be found below.

The band also made their first appearance on Conan since the release of their new album last week, performing hit single “All We Ever Knew.”

Watch The Head and the Heart on Conan

Signs of Light debuted at #5 on the Billboard 200 and #1 on the Rock Albums Chart! (You can DL it here if you haven’t already.) The Head and the Heart have been making their rounds on late night and daytime television, playing their hit single “All We Ever Knew” on Ellen, as well as The Late Show with Stephen Colbert, CBS Saturday Morning and Jimmy Kimmel Live!

Acclaim for Signs of Light:
“The moody music of Seattle’s indie-folk band can often be found on TV scores, but now it’s finding radio success-their third album’s single “All We Ever Knew” has already hit No.1 on the alt charts.” – People Magazine (Ones to Watch)

“More sunshiny melodies and bright gospel harmonies to make you forget that these guys are from the Pacific Northwest.” – NY Magazine and Vulture (41 Albums to Get Excited for This Fall)

Signs of Light might just be The Head and The Heart’s most uplifting album yet.” ­– Esquire

 “This marks the third album for the soundtrack-fave indie-folk group, after making an impressive debut in 2011 and releasing a polished sequel in 2013. From the looks of singles like “All We Ever Knew” and “Rhythm & Blues,” Light boasts more country vibes, sing-along choruses and contemplative lyrics.” – Harper’s BAZAAR

“The collection is their most electric and uplifting set yet.” – Entertainment Weekly

Seattle-born indie folk band The Head and the Heart is another one of our favorites here at InStyle. They’ve put out two albums so far and have toured around the world. Signs of Light will drop Sept. 9 and the band will tour into February 2017 in support of the album. – InStyle (10 Fall Albums We’re Going to Have on Repeat)

A Seattle six-piece whose first two LPs recalled a more acoustic Arcade Fire…Their next album has burlier guitars and rhythms. – Rolling Stone

“Colors” is the third track from Signs of Light that the band has released, following “All We Ever Knew” and “Library Magic.” From the sound it of it so far, the band’s third album is going to be their best yet. – Paste Magazine

Upcoming Tour Dates

11.29.16 – Metropolis Theatre – Montreal, QC
11.30.16 – Massey Hall – Toronto, ON
12.1.16 – The Fillmore Detroit (93.9 The River Icebreaker) – Detroit, MI SOLD OUT
12.2.16 – Eagles Ballroom (102.1 Big Snow Show 11) – Milwaukee, WI
12.3.16 – Midflorida Credit Union (97X Next Big Thing) – Tampa, FL
12.5.16 – Orpheum Theatre – Vancouver, BC
12.6.16 – Seattle Center (107.7 The End Deck the Hall Ball) – Key Arena – Seattle, WA
12.10.16 – Oracle Arena (Live 105 Not So Silent Night) – Oakland, CA
12.11.16 – The Forum (KROQ Almost Acoustic Christmas) – Los Angeles, CA SOLD OUT
12.12.16 – Mesa Amphitheatre (93.3 Alt Ugly Holiday Sweater Party) – Mesa, AZ
12.13.16 – Crystal Ballroom (December to Remember) – Portland, OR SOLD OUT
12.15.16 – The National (XL102 Miracle on Broad Street) – Richmond, VA
12.16.16 – Rams Head Live (The RNR Holiday Hoo-Ha) – Baltimore, MD
12.17.16 (96X The Winter Meltdown) – The NorVa – Norfolk, VA
2.7.17 – One Big Holiday – Riviera Maya, MX
2.21.17 – Orpheum Theatre – Madison, WI
2.22.17 – Orpheum Theatre – Madison, WI
2.23.17 – Murat Theatre – Indianapolis, IN *
2.24.17 – Peoria Civic Center – Peoria, IL *
2.25.17 – The Palace Theater – Columbus, OH *
2.27.17 – 20 Monroe Live – Grand Rapids, MI *
2.28.17 – Hill Auditorium – Ann Arbor, MI *
3.1.17 – Benedum Center for the Performing Arts – Pittsburgh, PA *
3.2.17 – SUNY Buffalo – UB Center for the Arts – Buffalo, NY **
3.4.17 – State Theater of Ithaca – Ithaca, NY **
3.5.17 – Flynn Theatre – Burlington, VT **
3.6.17 – State Theatre – Portland, ME **

* w/ Whitney
** w/ Springtime Carnivore


For Live Nation – Pittsburgh, please contact:
Megan Ditton

Signs of Light Tracklisting

1. All We Ever Knew
2. City of Angels
3. Rhythm & Blues
4. False Alarm
5. Dreamer
6. Library Magic
7. Turn It Around
8. Colors
9. Take a Walk
10. Oh My Dear
11. I Don’t Mind
12. Your Mother’s Eyes
13. Signs of Light

More About Signs of Light:
In 2014, exhausted after four years of non-stop touring, the six members of The Head and the Heart pointed their individual compasses to new cities, new relationships and new adventures. Pianist Kenny Hensley learned to fly planes and enrolled in kung-fu training in China, while bassist Chris Zasche packed up a camper and went off the grid in the Canadian Rockies. Drummer Tyler Williams put down stakes across the country and immersed himself in the burgeoning music scene in Richmond, Va., while vocalist/multi-instrumentalist Charity Rose Thielen honed her compositional skills by writing for such legends as Mavis Staples.

After his own cross-country trip to reconnect with family and friends, vocalist/guitarist Jonathan Russell traveled to Haiti and found inspiration working with the non-profit Artists For Peace And Justice. “When I found out we were going to have a significant amount of time off, I saw it as an opportunity to touch base again – to listen to what other people were saying and what they were going through,” he says. “I really wanted to make sure that I reconnected with a world that was starting to feel farther and farther away.”

When The Head and the Heart regrouped last summer in Stinson Beach, Ca., to start writing together again, “it almost felt like we were a new band, trying things we hadn’t tried,” Zasche recalls. “We stayed at a bungalow on the beach. We’d wake up, have coffee and go boogie boarding. We were ready and excited to be back together.”

That renewed sense of purpose can be felt throughout Signs of Light, the group’s first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.”

Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs of Light crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work. Lead single “All We Ever Knew,” which was written during the Let’s Be Still era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.

Throughout, the colors are brighter, the electric guitars are louder and the musical touchstones more universal. The propulsive, smile-inducing ode to Los Angeles “City Of Angels” and the head-nodding “Rhythm & Blues” nod to classic Fleetwood Mac, while the organ-flecked “Dreamer” is a timeless-sounding ballad that could have been beamed straight out of an old jukebox.

“Jay was really adamant about getting a great performance,” Russell says. “We have all the tools in the world to make something sound real or more excitable, but it’s never really as true as the band in the room for the whole take. ‘City Of Angels’ – we had previously re-cut that song and played it so many times. But within two takes in Nashville, we nailed it. It felt like we were playing on a massive stage in front of tons of people.”

The Head and the Heart’s 2011 self-titled debut album captured a nascent but undeniable creative partnership between six strangers thrown together by little more than a shared love of music. It became one of Sub Pop Records’ best-selling debut releases ever, and rocketed the band to acclaim well beyond its then-home base in Seattle. The formative experiences that followed both on and off the stage heavily informed the 2013 follow-up “Let’s Be Still,” which continues to remind Russell of “the stale beer, bleach and potato chips from all the venues we saw once this became our livelihood.”

On Signs of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. “It was one of those moments where no one talks,” Russell remembers. “No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.”

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